Crew couture, Jason works together with best bud Daniel (Teller) as in-demand book-jacket designers, while third musketeer Mikey ( Michael B. ![]() In one of those fantasy movie jobs that seems to provide for unusually spacious Manhattan apartments and reams of J. (The “moment” of the title is said to be the one where a relationship either falls apart or advances to the next, more serious level - which is precisely when Jason tends to call it quits.) It’s a story that involves so many staggeringly selfish and stupid decisions (even by romantic-comedy standards) that, at a certain point, it becomes impossible to muster the slightest concern for the character and whether he’ll ever find true love or simply keep chasing tail all the way into the nursing home. Gormican begins and ends “That Awkward Moment” with Efron’s Jason sitting alone and forlorn on a bench in Gramercy Park on a chilly winter’s night, and in between flashes back to show us how he got there. That plus the heavily advertised promise of Zac Efron in various states of undress and coitus should give “Awkward” a sizable moment at the February box office. The pic falls well short of its efforts to combine the raucous vulgarity of the “Hangover” movies with Cameron Crowe-ish depth of feeling, but Gormican had the good fortune to cast one of the most interesting young actors in movies today, Miles Teller, and to surround him with an able-bodied cast that deserves better than most of what they’ve been given. Those wondering how the newly reshuffled Focus Features will differentiate itself from its arty, Oscar-garlanded predecessor need look no further than “That Awkward Moment,” in which a couple of twentysomething dudes jacked up on Viagra school each other in the acrobatic art of urinating “horizontally.” “Brokeback Mountain” it’s not, though that is one of the better gags in tyro scribe-helmer Tom Gormican’s familiar tale of three commitment-phobic New Yorkers forced to re-examine their philosophy of “bros before hos” when Ms.
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